RZA | Murs | Bizarre Ride/Delicious Vinyl | Chuck D | House Shoes | Bootsy Collins
Jonathan Emile & Kendrick Lamar | MIDI Mafia | Honey Cocaine | Rick Allen (Def Leppard)
Jonezen & Gucci Mane | Substance Abuse & Tash of Tha Liks | Planet Asia| Cab Cabernet
Les Claypool of Primus | Victor Wooten | Stanley Clarke | DJ Nu-Mark | Strong Arm Steady
Rockie Fresh | Exile | Thurz | Stephen Perkins (Jane's Addiction) | Matt Sorum (Guns N Roses)
Toy Art Gallery | R&R Gallery | Rapper Big Pooh & Phife Dawg | 9th Wonder | Fashawn
Verdine White (Earth Wind & Fire) | Super Mart Produce | Kill Paris | Sixo | Roc Marciano
Miz MAF & Freeway | DJ Rhettmatic | Phonte | Quickie Mart | Gypsyphonic Disko
Kurupt & Boldy James | Oh No & Guilty Simpson | Phil The Agony | Shabaam Sahdeeq
China Mac & Jadakiss | Mr. Complex | Radioinactive | Sick Jacken | John Robinson
Myka Nyne | S.O.U.L. Purpose | Ricky B | Larry Graham (Sly & The Family Stone)
Hasan Salaam & Immortal Technique | Rheteric Ramirez | IamOmni | Yamin Semali | DJ Babu
V. Nova & Smif-N-Wessun | Bamboo Bros | Voice | Boycott Blues | Harn Solo | Pavy
Gotham Green, Kool G Rap & Nature | Lodeck & Omega One | Montage One | Signif
J. Rawls & Masta Ace | Maimouna Youssef | Menacin Johnson | J. Ivy | Self Scientific
Super Chron Flight Bros | Hieroglyphics | Black Silver, Ras Kass, Rakaa | Clan Destined
Paranoid Castle | Digi Crates | Jose Pasillas (Incubus) | Sonny Seeza (Onyx)
See-Me-On and Race are veteran Chicago duo The Primeridian, presenting their Tye Hill-produced single from Da Crack-A-Dawn mixtape in conjunction with All Natural, DJBooth.net, Ruby Hornet, and Jugrnaut. Da Crack-A-Dawn features Buff1, Adad, Black Spade, Pugz Atomz, Rashid Hadee and more. Of “Dro p The Needle”, See-Me-On says “The foundation was the drums: pulsating and hard-hitting.”
Beats & Bullets : Soundtrack To A Shootout is a project designed as an instrumental sound score to a shootout cinema/street scene. Features all-star Digi Crates Records producers Kyo Itachi (France), King AL (Sweden), Miedlev (Sweden), Tape Roc (Sweden) and DJ Kryptonite (UK), as well as Roc Marciano of Fat Beats/Decon contributing his production to the project.
The first single from CRY AMERICA, the new album from the West Coast’s best kept secret IamOmni, produced fully by UK trip-hop pioneer TRICKY. Directed by Mark Yamamoto. Omni’s previous albums include collaborations with Fatlip of Tha Pharcyde, Aceyalone and Mikah Nine of Freestyle Fellowship, WildChild of the Lootpack. Their collaboration album is available May 3rd, exclusively at rvca.com.
Says Omni of working with Tricky:
“Working with Tricky has been nothing short of an amazing experience, I worked with him in the past on material and for lightening to strike twice and me being able to do a complete project with him is mindblowing. I am forever in his debt.”
Dedicated to Melrose Avenue in Los Angeles. The first video from Murs and Terrace’s forthcoming collaboration album Melrose, dropping February 8. Murs and Terrace first worked together on Murs’ 2008 Warner Bros debut Murs For President. “That album was so serious and such an intense process for the both of us, and we just wanted to do something fun and different,” he says. “And as different as we are from one another, we found a common ground in music and women. Add that to the fact we had both just broke up with our longtime girlfriends and were wilding out. So we definitely had a lot material and real life experience to draw from.”
Uptown NYC true school legend Kurious Jorge (of A Constipated Monkey and Operation Doomsday fame) and emcee/producer Superstar Dave Dar, the secret weapon behind many of NYC indie label Rawkus‘ classics, are the Bamboo Bros. Their forthcoming album American Jibaro drops spring 2011 featuring Pete Rock, Talib Kweli and more.
BOOTSY COLLINS, the starry-eyed funkateer who literally put the bass in contemporary music by way of his legendary releases with James Brown, Parliament/Funkadelic and Bootsy’s Rubber Band, has announced the crossing of another milestone in his storied career: the release of the first Bootzilla fine art collection. On December 1, 2010, Collins will unveil the result of a lengthy process involving photography, greenscreen, found images and archived elements, undertaken with the aim of isolating and visually replicating what’s going on in his imagination.
Every piece in this limited-edition line of 300 will be a one-of-a-kind collectible, each bearing a unique funk mantra created and applied to the canvas by Bootsy himself. He will also number and sign each piece, and add his handprints in acrylic paint. Each piece will feature a number of hidden elements for its owner to discover. 250 of the 300 will measure 40″ x 30″, while the remaining 50 will weigh in at a whopping 80″ x 60″. The first 1,500 people to sign up for more information at bootsycollinsart.com will receive a ‘golden ticket’ which will allow them to preview the piece on November 29th, two days before its official public unveiling.
Earlier this year, Collins made waves with the opening of The Funk University (thefunkuniversity.com), the online bass guitar academy masterminded and supervised by Collins himself, with help from guest professors Les Claypool, Meshell Ndegeocello, Victor Wooten, George Clinton, T.M. Stevens, John B. Williams, Divinity Roxx, Thee Ram Jam, Frankie “Kash” Waddy, Bakithi Kumalo, P-Nut and Blackbyrd McKnight. Bootsy’s Funk University is produced by SceneFour, the L.A. creativity house responsible for projects with Al Gore’s Current TV, MTV-U, Nine Inch Nails, the RZA, Marilyn Manson, The Pixies, and Beck.
Sampling is archeology. Digging through crates for obscure old records and drafting the sounds of times past into contemporary music is as much about preserving the past as digging for bones is. Few producers take that pursuit as literally as LA native and Armenian beathead Bei Ru, who has traveled across Armenia, Lebanon and Syria on a mission to hunt and rescue rare, out-of-print Armenian 12″s and 45″s from oblivion. He breathes new life into the sounds on those records on Little Armenia (L.A.), an intoxicating voyage through rhythm and melody that serves not only as a dedication to the under-appreciated Armenian musicians of yesteryear and a homage to the Little Armenia section neighborhood of Los Angeles, but also as a musical map of the Armenian diaspora and a wake-up call to his people to take pride in their rich musical history.
Electric instruments and modern sounds began creeping into traditional Armenian music between the 1950s and the 1980s, the era Little Armenia focuses on. These are the songs Bei Ru grew up on, songs he says most Armenians have forgotten. “What inspired me to make this project was all the incredible music I’d find on these old records that most people – even most Armenians – are unaware of,” he says. Bei Ru’s inspiration to take Armenia’s musical past into its future manifests itself in everything from the album’s sound to its name. “You walk down a street in the Little Armenia section of Los Angeles, and it’s as if the people brought their home country with them. These people, who keep themselves so surrounded by their culture, have forgotten how important the role of music is. Contemporary Armenian music is virtually devoid of any of the aspects of what made those old records so awesome. I felt that Armenians and non-Armenians alike should be exposed to this lost era of music that no one seems to remember.” Little Armenia drops November 19th on Musa-Ler Music.
Likwit Crew/Gold Chain Military secret weapon Montage One steps out the shadows this year with his debut solo album 10.6.2.OGX on Stimulus One/RBC. Features production from Madlib, E-Swift, Alchemist, Evidence,OhNo, DJ Babu, Jake One, DJ Revolution, and cameos from Little Brother,Strong Arm Steady, Foreign Exchange, WildChild, Dilated Peoples and Defari.